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Tom Waits The Black Rider
Album Viewed
Closing Time (1973) 4345
The Heart of Saturday Night (1974) 3032
Nighthawks at the Diner (1975) 2848
Small Change (1976) 3377
Foreign Affairs (1977) 2108
Blue Valentine (1978) 3671
Heartattack and Vine (1980) 2316
One from the Heart (1982) 2375
Swordfishtrombones (1983) 3322
Rain Dogs (1985) 6220
Frank's Wild Years (1987) 3737
Big Time (1988) 4155
The Early Years (1991) 2827
Bone Machine (1992) 3584
Night on Earth (1992) 1747
The Black Rider (1993) 4513
The Early Years, Vol. 2 (1993) 2602
Lyric Viewed
Lucky Day Overture 197
I'll Shoot the Moon 240
Flash Pan Hunter 209
Crossroads 203
Gospel Train 253
Interlude 184
Oily Night 158
Lucky Day 200
The Last Rose of Summer 209
Gospel Train/Orchestra 187
Russian Dance 314
The Black Rider 272
November 258
Just the Right Bullets 237
Black Box Theme 202
T'ain't No Sin 193
Flash Pan Hunter/Intro 167
That's the Way 190
The Briar and the Rose 316
Carnival 192
Crossroads


(Tom Waits/William Burroughs)

Now, George was a good straight boy to begin with, but there was bad blood
In him; someway he got into the magic bullets and that leads straight to
Devil's work, just like marijuana leads to heroin; you think yo ucan take
Them bullets or leave 'em, do you?
Just save a few for your bad days


Well, now, we all have those bad days when you can't shoot for shit.


The more of them magics you use, the more bad days you have without them
So it comes down finally to all your days being bad without the bullets
It's magics or nothing
Time to stop chippying around and kidding yourself,
Kid, you're hooked, heavy as lead


And that's where old George found himself
Out there at the crossroads
Molding the Devil's bullets
Now a man figures it's his bullets, so it will
Hit what he wants to hit
But it don't always work that way


You see, some bullets is special for a single aim
A certain stag, or a certain person
And no matter where you are, that's where the bullet will end up
And in the moment of aiming, the gun turns into a dowser's wand
And point where the bullet wants to go


(George Schmid was moving in a series of convulsive spasms, like someone
with an epileptic fit, with his face distorted and his eyes wild like a
lassoed horse bracing his legs. But something kept pulling him on. And now
he is picking up the skulls and making the circle.)


I guess old George didn't rightly know what he's getting himself into
The fit was on him and it carried him right to the crossroads

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